a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered second (supertonic) scale degree.It most commonly occurs in first inversion so that it is notated either as ♭II 6 or N 6 and normally referred to as a Neapolitan sixth chord. In four-part harmony, the bass note F is generally doubled, and this doubled F either resolves down to D or remains as the seventh F of the G-major dominant seventh chord. By lowering the chord's root by a half-step (in this case, the B becomes a B flat) we get a Neapolitan sixth chord.It receives the name sixth because it is commonly used in first inversion.. Neapolitan chord. Its root is lowered. I highly encourage everyone to watch the accompanying video with this article. Neapolitan chords are often used in first inversion, and are often called Neapolitan-sixth chords because of the interval of a sixth occurring in the inversion. Even if you haven’t heard the name, you’ve probably heard the chord. So, in C major you start with D and lower it a half-step to D-flat and build a major triad on D-flat: D-flat – F – A-flat. The most common variation on the Neapolitan chord is the Because of its close relationship to the subdominant, the Neapolitan sixth resolves to the dominant using similar voice-leading. For example, in C major or C minor, the Neapolitan chord with added seventh D♭7 can lead to G♭ (or F♯) major/minor. (The same allowance is often made more explicitly for the German augmented sixth, except in that case it may involve the bass – or It is the most common means of modulating down a semitone, which is usually done by using the I chord in a major key as a Neapolitan chord (or a flattened major supertonic chord in the new key, a semitone below the original).Occasionally, a minor seventh is added to the Neapolitan chord, which turns it into a potential secondary dominant that can allow tonicization or modulation to the ♭V/♯IV key area relative to the primary tonic. In C minor, the resemblance between the subdominant (F-A♭-C) and the Neapolitan (F-A♭-D♭) is even stronger, since only one note differs by a half-step. It functions the same and can be used in the same context but it has a more dramatic effect because of its chromatic root, (ra).Like , it is typically used in a cadential context. The Neapolitan chord is a major triad built on the flatted second degree of the scale. You might wonder how a D-flat major chord will fit in a the key of C major, but in the first inversion (6) it functions the same as the IV or the II 6 chord but has a unique sound. Furthermore, as you study your scores, you will discover the use of this chord in countless compositions.Thanks again for joining us here at Living Pianos. Augmented Sixth chords, while sounding perhaps as exotic as the "Neapolitan" aka "Phrygian 6th" chord, are actually quite straightforward. ... Neapolitan Sixth Chord (N6) because of the minor 6th degree that results … The Neapolitan chord contains lowered scale-degree 2, along with scale-degree 4, and lowered scale-degree 6: ra, fa, and le. According to some theorists, however, such an unusual consecutive fifth (with both parts descending a semitone) is allowable in chromatic harmony, so long as it does not involve the lowest part. Then invert it so F is on the bottom (6 inversion) F – A-flat – D-flat. The '6th' comes from the usual appearance of the chord. You now have a Neapolitan 6th chord!So if you’re improvising or composing, and are using a IV or II 6 chord, think about using a Neapolitan 6th instead to give your music a distinct flavor. Neapolitan-sixth chord in C-Major Neapolitan chords often resolve to a dominant chord. It can be thought of as a borrowed chord; borrowed from phrygian mode on the same tonic as the key. The 'Neapolitan 6th' refers (supposedly) to a group of composers in Naples in the Baroque era who used this chord (although so did many other composers, such as Purcell). Sometimes composers will substitute a II 6 chord for the IV chord. As the dominant to ♭II, the A♭7 chord can then be respelled as a German augmented sixth, resolving back to the home key of C major/minor.It is known as the Neapolitan 'sixth' chord due to the interval of a sixth between the 3rd and the root note of the chord. In traditional harmony, chords in first inversion are sometimes called sixth chords. Overview: The Neapolitan sixth is a chromatic predominant chord.It is a major triad built on (ra) and is typically found in first inversion..

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